It's loud, even away from the speakers, and there's a non-stop parade of sweat soaked drunks winding through the maze halls that flank the stage. There is revelry and joy and music and Sean is irritated by it all. He knows he is a curmudgeon, and he hates that about himself, but as another plastic cup of beer slops onto his sneakers, he realizes he is overly tired and just wants to leave. But he's stuck. His ride, Glen, is chatting with a girl, and so he has to listen to another song. He hovers at the periphery of the crowd, cringing at the feedback and the tin squeal of the guitar, but otherwise nearly enjoying the moment. A teenager careens into his back and Sean loses his footing and bounces into a leather-clad man mountain in front of him. He gets a glare and backs up. The teenager is laughing. The band, at least, is pretty good.
The whole of the room is slightly, but blandly, disorientating. The twisting colored lights blazing along rafters in the ceiling play out weird kaleidoscope effects on the dark walls, but the effect is more cheap than trippy. The noise is overwhelming, and each drum kick reverberates through the wood of the converted gymnasium floorboards and rattles through Sean's shins and all the way up to his chest. It's incredibly hot. Sean worries that he smells, but decides it wouldn't be detectable in this odious pit. There is cigarette and pot smoke everywhere, and he can feel it clinging to the fibers of his overpriced t-shirt and infusing into his jeans. He catches snippets of inane conversation, the pseudo-philosophical ramblings of the intoxicated fans, and he sneers. And this is the most fun he's had in weeks.
He sees people enjoying themselves, dancing, moshing, singing along with the slightly banal lyrics of a decent group well beyond its prime, and he wonders if he's even capable of joining along. He feels silly giving himself up to a moment of abandon, but he's not exactly sure why. A little ways away, a high school girl disperses the crowd with a seemingly ceaseless stream of foamy vomit. She falls on her ass and starts to sob. Nobody helps her up. She just sits there, dangerously close to the colossal milky puddle on the ground and cries her eyes out. And Sean wants to help her. She looks so sad and frail and stupid, and he feels bad for her. But he worries that he'll seem like some old pervert trying to take advantage of this poor, blitzed little girl. So he just watches to make sure nobody else messes with her. For now, at least, she seems ok. Sort of.
Glen is still chatting, saying God knows what, to the girl who goes to the nearby college. She seems kind of ditzy, but it's a snap judgment made from a few overheard sentences. Sean chastises himself for being overly critical, but then gives himself a pass since his criticisms are usually spot on. He knows, too, it doesn't matter to Glen if this girl is smart or interesting. All that matters is that she's willing to converse, and a lack of explicit rejection is all Glen really needs to strike up a short term relationship. Sean sometimes envies that ability, but, far more often, he finds it repulsive. And while he's had weak moments, Sean would say that he was not willing to trade loneliness for meaninglessness. If he's going to devote his time to someone, that someone better be worth the time devoted. A warm body and lowered expectations are not enough.
Glen tells Sean all the time that Sean is too picky, too rigid in his demands. But Sean is fine with that. He doesn't need anybody. He doesn't require a companion. He's had girlfriends in the past (four, to be exact) and he enjoyed being with them, but his lived fine without them, too. He's good at being alone. Glen is terrible at being alone. There's nothing wrong with that, Sean would say, condescendingly, but there's nothing wrong with solitude, either. Not that it doesn't sting, sometimes, to see loving couples holding hands or putting their arms around one another or making out. And not that it hasn't been rough to spend two and a half years alone in bed. But it's better than settling. It's better than passing time with anybody who's available. Glen and college girl don't have a commonality amongst them. There's nothing tying them together besides loneliness and desperation. Sean would rather be alone than tethered to some fellow desperate anchor.
The opening band leaves the stage and a smattering of applause goes up from the crowd. It is a weak thank you to a group that most of the kids in the audience have never heard before. There is a window of noise reduction, then, as the clamor of electric instruments dies and the muffled roar of a hundred conversations buzzes over the smoke haze like the thrum songs of locusts in the summer. It is a sort of relief, like when aspirin finally starts eating away at a headache. The lights come up for a bit, revealing the wilds and chaos of the room. There is trash everywhere. Fliers, cups, random bits of detritus from who-knows-where coat the floor in a layer of filth and sediment. It makes Sean sad, but he would not be able to accurately describe why. The puking high school girl is back on her feet, now, and she seems all right. She looks tired and embarrassed. She'll probably be sicker in the morning. She's with a large group of friends, but nobody bothered to help her when it was needed. Now that she's fine, she's been adopted back into the fold. That makes Sean angry and he wonders if it's just a byproduct of youth or if her friends will grow up and carry that indifference into adulthood. He wants to believe the former, but thinks the latter is probably true.
After a while, the lights go down again, and a roar goes up from the crowd. The stage is still dark when a crackle spits out of the amplifiers and something like music spills out of randomly strummed guitar strings. The audience intensifies their commotion and suddenly spotlights blaze from a balcony and illuminate the rock goddess on stage. And she begins to play a song called "Hey Pretty." It's one that everybody in the room knows. Shouts and whistles shriek out of hundreds of mouths and, almost as quickly as it began, the cacophony dies down as the song kicks into gear.
Sean does not believe in fate. He believes fate is the name given to coincidence that is neither unpleasant nor inconsequential, a way to elevate happenstance to something that infuses it with a deeper meaning than it deserves. However, as the chorus of the song rings out, "Hey pretty... don't you wanna take a ride with me," Sean makes eye contact with a girl who happens to be quite pretty herself. And he is stunned. It's not the prettiness that stuns him. There is no shortage of beautiful women at the concert. He is stunned by how taken he is with this particular girl for no reason that he can logically discern. He feels an immediate need to connect with her, a driving impulse to tell her who he is. And he doesn't know why. He doesn't know a thing about her, except that she has big green eyes and long, dusty brown hair and she is short and wearing a white top that looks like it is made of crepe paper. But there is something about her face, or more accurately, her expression, that seems to spell out her entire personality. The chorus hits again, and Sean, surprising himself with his decision to act on impulse, walks with purpose toward the green eyed girl.
And he tells her his name. And she smiles. And she tells him that her name is Athena.
Showing posts with label meaning. Show all posts
Showing posts with label meaning. Show all posts
5.22.2010
8.28.2009
Ghost Town
Sirat, somehow, found herself lazily wandering through the dusty alleys of an old west ghost town. She didn’t remember what had brought her there, nor, she realized with a sort of panicky horror, anything prior to that. She felt blank, a simulation of someone else named Sirat, a pale imitation with just broad strokes to fill in the huge white expanse of identity. And she didn’t like that. Around her, a crop of empty husk, hastily constructed buildings stood sad and rotting as a dim-bulb yellow sun hung low in the sky, hovering over the horizon and flooding the blasted desert landscape with a chalky glow. She felt ill at ease, isolated and strange. Nothing seemed quite right, and while she was tempted to blame her hole-riddled memory, there was a nauseating impermanence to her surroundings and herself. She saw vultures overhead that seemed to blink in and out existence. Things seemed fuzzy on the periphery of the desert, as if the world just came to a stop. She looked at her hands and didn’t feel like they fit with the rest of her personage. They looked different, somehow. It was only a moment, however, before they seemed to change and conform to her specifications. She felt, maybe, like she and the world were being pieced together at the same time.
With little else to do, she began to silently explore her environs. There was a smell to the place, a kind of stench of antiquity, and it stung her nose and made her eyes water. Each whiff carried with it a collection of memories that raced through Sirat’s head in a way that made them feel important and frustratingly intangible. It didn’t take long to acclimate to it, to put it aside and ignore it, but every now and then, a whisper of it would find its way to her brain and restart the memory show. It was disconcerting, but at least it was interesting. At least she felt something other than abandonment and disorientation. The town was small and trite, more like a movie set version of the American west than anything real. There were typical buildings: a jailhouse, a brothel, a post office and a saloon. Hitching posts and water troughs lined the dirt main street. Sirat could picture men in ten gallon hats with holstered guns prowling the alleys, and ladies in their corsets and finery trying to woo them to bed. It seemed so silly in that context, the way real people and real events were distilled to some basic essence of their existence and then launched forward, forever, as a default representation, a perpetual archetype. It struck her then that she, here, was no different. She was an essential part of someone real, someone else who was, no doubt, slumbering peacefully in a bed far away while Sirat wandered through the ghost town. Sirat was suddenly aware that she was a dream, a bit of fluff given form and the semblance of someone else’s life and forced to interact with an imaginary world… she felt inconsequential, then, ashamed of her own lack of solidity. She was angry at having been called into being at all, and saddened that her existence would surely end the moment the real she woke up.
But the dream Sirat, solely through that realization had woken herself up and removed herself from the control of another Sirat’s dreaming mind. She was no longer tethered to the brain that had invented her. Her existence was her own. This was not a concept she readily understood. If there was a difference in her before her self-realization, it was too subtle to notice. So the dream Sirat still felt very limited even as she stepped out from her real self’s shadow to become something greater that the woman that had birthed her.
Sirat, strangely self-aware and anxious about her fate, struggled with meaning. She felt faced with an existential crisis, saddled with a condensed life that she felt needed some purpose, some goal, some form of achievement in order to validate its having happened at all. Lost amidst the ruins of a never-was town, however, she wasn’t sure what to do. She rushed from building to building, hoping that beyond each door there would be some sort of sign or direction. She flung open old doors to musty pantries, to outhouses, to bedrooms and to jail cells and found nothing but dust and dirt and ghostly white cobwebs strung between chipped paint and molding wood. With each failed door, she grew wearier, more frightened and more distraught. Her eyes began to feel heavy, her legs, leaden. She moved with slack muscles and pained joints and felt like collapsing. In the corner of the old saloon’s dining room, beyond a busted player piano, Sirat found a dirty blue mattress, stained with blood and bile and coated in a fine layer of deep gray dust. Depression and fear overtook her. There was no point to this brief exercise in existence, she told herself. There was no end goal, nothing to do, nothing to accomplish. Tears rolled down her cheeks and her whole body shook with heaving, anguished sobs. She was convinced her time was near an end and she had nothing to show for it. There had been nothing, here, in this dirty ghost town… nothing but empty rooms and debris.
Sirat took a deep breath and slumped herself, morose and worthless, into a heap on the mattress and fell into the dreamless sleep of a dream.
As Sirat slumbered, her mind set on pause, time, in its weird dreamy way, still flowed about her. Though she was no longer engaged, the world of dreams was still in motion, and a shadowy little creature, a shadowy little imp, had made her way into Sirat’s ghost town. Once, she had been the consort of a fellow imp, a dastardly little creep that demanded to be called “Thimble,” even though it wasn’t his name. Her name, however, was no secret. She was called Shair.
Shair, like Thimble, had been crafted by dreaming magicians, by men and women who dedicated themselves so wholly to the arcane arts that they practiced those arts even whilst asleep. Imps were the dream-toys of these magicians, built for purpose, to fetch and to test and to serve. Some imps fled their dreaming masters, some were emancipated upon their owners’ deaths. Others, like Thimble and Shair, had slain their magicians to gain freedom. Once, the two imps travelled the land of dreams together, side by side. Thimble, though, grew weary of their partnership and sought out the company of a newly wakened dream, a woman named Kara Frost. He abandoned her in a swirl of formless fog, and she hadn’t seen him since. Travelling alone, Shair would sometimes hear stories amongst Woken dreams, she would hear of how Kara Frost and Thimble had saved so many from the death of oblation. And so Shair, jealous Shair, dedicated herself to the opposite. She had slain her master with no remorse. Surely the destruction of those her former lover and his new escort had rescued would ease her suffering. She was pitiless in her hunt, tracking down those who bore the salvation offered by Kara and Thimble, obliterating their minds and their memories and taking their heads as trophies. In a black bag slung over her bruise blue shoulder, Shair carried the heads of a hundred dreams touched by the waking hand of Kara Frost. Even with so much death on her hands, however, she still felt the sorrow of abandonment.
Eventually, Shair began to wander, lost in confusion and sadness, and in those wanderings she stumble across the ghost town built by the dream of Sirat. Shair loved these places, these miniature hollows of human dreams. She loved exploring the streets and alleys, loved how they ranged from so simple to so convoluted. This one, however, seemed drearier and emptier than most. She was shocked that no one wandered the streets. She was amazed that the place was so lifeless. Like Sirat had, Shair walked amongst the buildings, opening doors and looking for a reason to be there. Eventually, she came across the slumbering form of Sirat on the mattress.
And Shair, then, saw a similar confusion and a similar sadness on the face of the woman lost in her dreamless sleep. She felt an inexplicable kinship with Sirat, a tether she hadn’t felt since walking with Thimble. She smiled for the first time in a long while, and she bent next to Sirat and kissed her softly on the cheek. Shair felt a shock go through her, a wave of cold as she appropriated the sadness of the woman. Shair ran her clawed hand through Sirat’s black tangle of hair. She drew in the dread and the gloom that had afflicted Sirat, and expelled it into the dreamscape as black crepe exploding from her talons. Sirat stirred, her weariness abated, her sadness expunged. The act, for Shair, was redeeming, powerful in its kindness, and Shair suddenly felt a profound hollowness that had come from slaying the dreams saved by Thimble. A heavy remorse set in, a sickness of consequence, and Shair was overtaken by the memories of those whose heads she carried in her bag. As Sirat woke, newly and confusingly content, Shair cowered back into another corner of the musty saloon. A floodgate of guilt had opened upon the poor imp.
Sirat, aware now that Shair had stolen her anguish, saw the imp cowering and felt a wave of sympathy. She could see the hurt in the poor creature’s black eyes, and she wanted, now, to help in any way she could. So she offered herself up to Shair, she offered her assistance as payment for the kindness Shair had extended to her. And Shair, then, knew how she could atone for her sins.
She asked Sirat to lay, again, on the mattress. Sirat complied, nervously, while Shair retrieved her bag of trophy heads. Shair asked Sirat not to move and Sirat didn’t, even as, one by one, Shair removed the heads of the slain dreams from her bag and cracked them, like fresh eggs, over Sirat’s body. She emptied the contents of each cracked head onto Sirat. From one, microscopic cities of glass fell like twinkling dust and dug into Sirat’s skin and eyes. Another produced liquid volumes of chromatic essence, which stained Sirat like a painter’s rag. Others released models of staircases, dollhouse furniture or tiny soldiers determined to die in some far off conflict. One merely produced the smell of French bread and cobblestones from a faux Parisian alley. All of these, the contents of all one hundred heads, were absorbed by Sirat and became part of her.
And Shair explained:
She had obliterated these dreams, destroyed their minds and befuddled their memories. But the essence of them, of who they had been and what they had created, still existed inside of their heads. By releasing them, Shair had given them to Sirat, breathed new life into them as a new life took them over. Sirat was a library, now, of these dead dreams, and Shair was convinced that they could remake them all, if only Sirat would accompany her to the places she had taken them from.
And Sirat smiled, broadly. She was suddenly full of purpose, full of meaning, and full of direction. With no reason to remain in the ghost town, Sirat and Shair set off to old parts of the dreamworld, intent on restoring what Shair had, in madness and in sorrow, so cruelly destroyed.
The ghost town crumbled behind them as they left.
With little else to do, she began to silently explore her environs. There was a smell to the place, a kind of stench of antiquity, and it stung her nose and made her eyes water. Each whiff carried with it a collection of memories that raced through Sirat’s head in a way that made them feel important and frustratingly intangible. It didn’t take long to acclimate to it, to put it aside and ignore it, but every now and then, a whisper of it would find its way to her brain and restart the memory show. It was disconcerting, but at least it was interesting. At least she felt something other than abandonment and disorientation. The town was small and trite, more like a movie set version of the American west than anything real. There were typical buildings: a jailhouse, a brothel, a post office and a saloon. Hitching posts and water troughs lined the dirt main street. Sirat could picture men in ten gallon hats with holstered guns prowling the alleys, and ladies in their corsets and finery trying to woo them to bed. It seemed so silly in that context, the way real people and real events were distilled to some basic essence of their existence and then launched forward, forever, as a default representation, a perpetual archetype. It struck her then that she, here, was no different. She was an essential part of someone real, someone else who was, no doubt, slumbering peacefully in a bed far away while Sirat wandered through the ghost town. Sirat was suddenly aware that she was a dream, a bit of fluff given form and the semblance of someone else’s life and forced to interact with an imaginary world… she felt inconsequential, then, ashamed of her own lack of solidity. She was angry at having been called into being at all, and saddened that her existence would surely end the moment the real she woke up.
But the dream Sirat, solely through that realization had woken herself up and removed herself from the control of another Sirat’s dreaming mind. She was no longer tethered to the brain that had invented her. Her existence was her own. This was not a concept she readily understood. If there was a difference in her before her self-realization, it was too subtle to notice. So the dream Sirat still felt very limited even as she stepped out from her real self’s shadow to become something greater that the woman that had birthed her.
Sirat, strangely self-aware and anxious about her fate, struggled with meaning. She felt faced with an existential crisis, saddled with a condensed life that she felt needed some purpose, some goal, some form of achievement in order to validate its having happened at all. Lost amidst the ruins of a never-was town, however, she wasn’t sure what to do. She rushed from building to building, hoping that beyond each door there would be some sort of sign or direction. She flung open old doors to musty pantries, to outhouses, to bedrooms and to jail cells and found nothing but dust and dirt and ghostly white cobwebs strung between chipped paint and molding wood. With each failed door, she grew wearier, more frightened and more distraught. Her eyes began to feel heavy, her legs, leaden. She moved with slack muscles and pained joints and felt like collapsing. In the corner of the old saloon’s dining room, beyond a busted player piano, Sirat found a dirty blue mattress, stained with blood and bile and coated in a fine layer of deep gray dust. Depression and fear overtook her. There was no point to this brief exercise in existence, she told herself. There was no end goal, nothing to do, nothing to accomplish. Tears rolled down her cheeks and her whole body shook with heaving, anguished sobs. She was convinced her time was near an end and she had nothing to show for it. There had been nothing, here, in this dirty ghost town… nothing but empty rooms and debris.
Sirat took a deep breath and slumped herself, morose and worthless, into a heap on the mattress and fell into the dreamless sleep of a dream.
As Sirat slumbered, her mind set on pause, time, in its weird dreamy way, still flowed about her. Though she was no longer engaged, the world of dreams was still in motion, and a shadowy little creature, a shadowy little imp, had made her way into Sirat’s ghost town. Once, she had been the consort of a fellow imp, a dastardly little creep that demanded to be called “Thimble,” even though it wasn’t his name. Her name, however, was no secret. She was called Shair.
Shair, like Thimble, had been crafted by dreaming magicians, by men and women who dedicated themselves so wholly to the arcane arts that they practiced those arts even whilst asleep. Imps were the dream-toys of these magicians, built for purpose, to fetch and to test and to serve. Some imps fled their dreaming masters, some were emancipated upon their owners’ deaths. Others, like Thimble and Shair, had slain their magicians to gain freedom. Once, the two imps travelled the land of dreams together, side by side. Thimble, though, grew weary of their partnership and sought out the company of a newly wakened dream, a woman named Kara Frost. He abandoned her in a swirl of formless fog, and she hadn’t seen him since. Travelling alone, Shair would sometimes hear stories amongst Woken dreams, she would hear of how Kara Frost and Thimble had saved so many from the death of oblation. And so Shair, jealous Shair, dedicated herself to the opposite. She had slain her master with no remorse. Surely the destruction of those her former lover and his new escort had rescued would ease her suffering. She was pitiless in her hunt, tracking down those who bore the salvation offered by Kara and Thimble, obliterating their minds and their memories and taking their heads as trophies. In a black bag slung over her bruise blue shoulder, Shair carried the heads of a hundred dreams touched by the waking hand of Kara Frost. Even with so much death on her hands, however, she still felt the sorrow of abandonment.
Eventually, Shair began to wander, lost in confusion and sadness, and in those wanderings she stumble across the ghost town built by the dream of Sirat. Shair loved these places, these miniature hollows of human dreams. She loved exploring the streets and alleys, loved how they ranged from so simple to so convoluted. This one, however, seemed drearier and emptier than most. She was shocked that no one wandered the streets. She was amazed that the place was so lifeless. Like Sirat had, Shair walked amongst the buildings, opening doors and looking for a reason to be there. Eventually, she came across the slumbering form of Sirat on the mattress.
And Shair, then, saw a similar confusion and a similar sadness on the face of the woman lost in her dreamless sleep. She felt an inexplicable kinship with Sirat, a tether she hadn’t felt since walking with Thimble. She smiled for the first time in a long while, and she bent next to Sirat and kissed her softly on the cheek. Shair felt a shock go through her, a wave of cold as she appropriated the sadness of the woman. Shair ran her clawed hand through Sirat’s black tangle of hair. She drew in the dread and the gloom that had afflicted Sirat, and expelled it into the dreamscape as black crepe exploding from her talons. Sirat stirred, her weariness abated, her sadness expunged. The act, for Shair, was redeeming, powerful in its kindness, and Shair suddenly felt a profound hollowness that had come from slaying the dreams saved by Thimble. A heavy remorse set in, a sickness of consequence, and Shair was overtaken by the memories of those whose heads she carried in her bag. As Sirat woke, newly and confusingly content, Shair cowered back into another corner of the musty saloon. A floodgate of guilt had opened upon the poor imp.
Sirat, aware now that Shair had stolen her anguish, saw the imp cowering and felt a wave of sympathy. She could see the hurt in the poor creature’s black eyes, and she wanted, now, to help in any way she could. So she offered herself up to Shair, she offered her assistance as payment for the kindness Shair had extended to her. And Shair, then, knew how she could atone for her sins.
She asked Sirat to lay, again, on the mattress. Sirat complied, nervously, while Shair retrieved her bag of trophy heads. Shair asked Sirat not to move and Sirat didn’t, even as, one by one, Shair removed the heads of the slain dreams from her bag and cracked them, like fresh eggs, over Sirat’s body. She emptied the contents of each cracked head onto Sirat. From one, microscopic cities of glass fell like twinkling dust and dug into Sirat’s skin and eyes. Another produced liquid volumes of chromatic essence, which stained Sirat like a painter’s rag. Others released models of staircases, dollhouse furniture or tiny soldiers determined to die in some far off conflict. One merely produced the smell of French bread and cobblestones from a faux Parisian alley. All of these, the contents of all one hundred heads, were absorbed by Sirat and became part of her.
And Shair explained:
She had obliterated these dreams, destroyed their minds and befuddled their memories. But the essence of them, of who they had been and what they had created, still existed inside of their heads. By releasing them, Shair had given them to Sirat, breathed new life into them as a new life took them over. Sirat was a library, now, of these dead dreams, and Shair was convinced that they could remake them all, if only Sirat would accompany her to the places she had taken them from.
And Sirat smiled, broadly. She was suddenly full of purpose, full of meaning, and full of direction. With no reason to remain in the ghost town, Sirat and Shair set off to old parts of the dreamworld, intent on restoring what Shair had, in madness and in sorrow, so cruelly destroyed.
The ghost town crumbled behind them as they left.
7.22.2009
Strangers
This terrible rush comes over, too diligent, too soft-spoken to be heard amidst the clang and clatter of whatever thing he thought to be thinking of falling out. And she wonders at it, whether the voice that sputters out such random and perverse and sometimes, sometimes flattering vapidity is just a construct of her own gray matter folds or if it's coming from anyone's blinking shattered eyes that scream out for a lick of any measure of attention. It's a mess, to be sure, to pull what's real out from what's imagined and she thinks, perhaps, of him doing the same?
She can't be, he can't be
sure.
Oh but this weighs heavily upon them, strangers as they are, struggling with finding meaning in hidden lash bats and bristling mourning as the crowds file up and down like space age computer punch cards... each punch in place bringing the difference to a head until neither can stand it and the one goes in and the other leaps out and there's a vacuum left in the middle again,
like a starry pool of liquid, liquid void
a dead space, hollow and silver and dreaming of
Fists going upward and teeth gnashing and all of this because of a flipped coin or a butterfly's sneeze or whatever it is that causes one foot to turn in one direction and in the blink of an eye everything's gone and changed again.
They don't KNOW each other, and never will, not because of fate or destiny or anything large, but, because of small things, tiny things, microscopic things pushing them one place or another while halfway across the world or halfway across town they are frozen with fear and with disbelief, searching the source for transmissions or heartbeats or something that sings with the primal energy of a calling, one brain to one brain until, zombie-like, they move in a straight line, one point to one point... they wait for it
And wait for it
And wait for it
There might be a telephone call in her head or a letter written out on his desk, but they don't know the numbers or the addresses or even, by God, the recipient. They are throwing the words, the message, the missive, the correspondence and the very thought of it into the atmosphere and praying for some sort of long traveled balloon postcard response from that ideal that's been etched in white hot acid on the leathery flaps and armor of their slowly fading hearts.
She can't be, he can't be
sure.
Oh but this weighs heavily upon them, strangers as they are, struggling with finding meaning in hidden lash bats and bristling mourning as the crowds file up and down like space age computer punch cards... each punch in place bringing the difference to a head until neither can stand it and the one goes in and the other leaps out and there's a vacuum left in the middle again,
like a starry pool of liquid, liquid void
a dead space, hollow and silver and dreaming of
Fists going upward and teeth gnashing and all of this because of a flipped coin or a butterfly's sneeze or whatever it is that causes one foot to turn in one direction and in the blink of an eye everything's gone and changed again.
They don't KNOW each other, and never will, not because of fate or destiny or anything large, but, because of small things, tiny things, microscopic things pushing them one place or another while halfway across the world or halfway across town they are frozen with fear and with disbelief, searching the source for transmissions or heartbeats or something that sings with the primal energy of a calling, one brain to one brain until, zombie-like, they move in a straight line, one point to one point... they wait for it
And wait for it
And wait for it
There might be a telephone call in her head or a letter written out on his desk, but they don't know the numbers or the addresses or even, by God, the recipient. They are throwing the words, the message, the missive, the correspondence and the very thought of it into the atmosphere and praying for some sort of long traveled balloon postcard response from that ideal that's been etched in white hot acid on the leathery flaps and armor of their slowly fading hearts.
7.21.2009
Another Self-Induced Sleepless Night
So, I have a tendency, sometimes, to fall into a bad pattern of insomnia/mild caffeine abuse that just perpetuates itself and becomes an annoying vicious circle. I'm on, I don't know, day four or five of running with three to five hours of poor sleep per night. This isn't terrible, but it isn't exactly great. I can feel myself headed for a monster crash... it will most likely involve a crippling migraine, hallucinations and a whole hell of a lot of being ridiculously crabby.
I almost feel like insomnia is a character trait of mine, a sort of shorthand for the type of person that I am. I know that's a bit silly, but it reflects two important things about me: When I'm excited to do something, I will put everything else, especially sleep, on hold to do it; and, when I'm dreading something, I will do everything I can to postpone it for as long as possible. These two facts, flaws you might call them, create a sort of perfect storm of insomnia.
Currently, I'm working on consolidating all of the creative aspects of my life into one nifty little website hub (www.jasondangerblock.com, of course). And it's going pretty ok. I like doing it and I feel like I'm accomplishing something and I like that there will be something to show for my work when it's done. It also means I want it to be done as soon as possible. I'm not patient, especially when it comes to my output, and I am a much bigger fan of the product than I am of the process. So I want to finish it. So I've been putting in late nights trying to get the thing to work and drawing up nifty little pictures for it and reconfiguring it and so on and so forth.
This, coupled with my increasing disdain for the vapidity and stagnation of my day job (and the rapidness with which slumber brings on a new morning), makes sleep seem like an obstacle to my goals and any hope of a measure of success. So I stay up all night, working on things that will likely only ever be seen by a handful of people, trying desperately to keep my dreams alive while staving off another fruitless day of mediocrity. Eventually, of course, morning does come, and bleary eyed and still gauzy from my ceaseless parade of whacko wee hour dreams, I wake up, muddle through a shower and riddle myself with caffeine in an effort to join the living for the day. This, of course, isn't novel or unique or anything, but it does, I think, go a long way, in tandem with the factors listed above, toward hampering the next night's sleep and the cycle continues undaunted and unbroken until I have a whopping meltdown and fall into a twelve hour coma. This can take weeks. And when the coma ends, the whole process starts slowly up again.
I wonder, sometimes, if the majority of my normal waking hours were spent doing something even mildly fulfilling, would I still have this problem? Would I still push myself in an all-too-likely futile march toward some sort of achievement? Or, would I be content with my day's accomplishments and go to bed looking forward to the possibilities of a new morning? I can't even fathom what that would be like... the concept is so alien to me. I imagine, though, under those circumstances, that my output would be quicker and far more competent. But maybe it's the feeling of being trapped in such abject mediocrity that spurs me to try to do more, even if there's little hope of success... I'd like to think that I'd try to do better no matter how well I was doing. And that, I suppose, is good and bad. Contentment is murder to improvement, but it's still something we all strive for, isn't it? Is a life of always pushing against what you've done to achieve something more inherently better than just accepting a life that's fine, but not as good as it could be? My official goal, I guess, is to aim for the middle of those extremes, but I can't really see ever being content even if I wasn't just treading water every day.
Still, this sort of behavior, as self-aware of it being self-induced as I am, probably can't continue. I need to find a better way, at least for now, to balance what gives me substance with what pays the bills. Luckily I've got all night to think about it! Just let me crack open another Diet Coke...
I almost feel like insomnia is a character trait of mine, a sort of shorthand for the type of person that I am. I know that's a bit silly, but it reflects two important things about me: When I'm excited to do something, I will put everything else, especially sleep, on hold to do it; and, when I'm dreading something, I will do everything I can to postpone it for as long as possible. These two facts, flaws you might call them, create a sort of perfect storm of insomnia.
Currently, I'm working on consolidating all of the creative aspects of my life into one nifty little website hub (www.jasondangerblock.com, of course). And it's going pretty ok. I like doing it and I feel like I'm accomplishing something and I like that there will be something to show for my work when it's done. It also means I want it to be done as soon as possible. I'm not patient, especially when it comes to my output, and I am a much bigger fan of the product than I am of the process. So I want to finish it. So I've been putting in late nights trying to get the thing to work and drawing up nifty little pictures for it and reconfiguring it and so on and so forth.
This, coupled with my increasing disdain for the vapidity and stagnation of my day job (and the rapidness with which slumber brings on a new morning), makes sleep seem like an obstacle to my goals and any hope of a measure of success. So I stay up all night, working on things that will likely only ever be seen by a handful of people, trying desperately to keep my dreams alive while staving off another fruitless day of mediocrity. Eventually, of course, morning does come, and bleary eyed and still gauzy from my ceaseless parade of whacko wee hour dreams, I wake up, muddle through a shower and riddle myself with caffeine in an effort to join the living for the day. This, of course, isn't novel or unique or anything, but it does, I think, go a long way, in tandem with the factors listed above, toward hampering the next night's sleep and the cycle continues undaunted and unbroken until I have a whopping meltdown and fall into a twelve hour coma. This can take weeks. And when the coma ends, the whole process starts slowly up again.
I wonder, sometimes, if the majority of my normal waking hours were spent doing something even mildly fulfilling, would I still have this problem? Would I still push myself in an all-too-likely futile march toward some sort of achievement? Or, would I be content with my day's accomplishments and go to bed looking forward to the possibilities of a new morning? I can't even fathom what that would be like... the concept is so alien to me. I imagine, though, under those circumstances, that my output would be quicker and far more competent. But maybe it's the feeling of being trapped in such abject mediocrity that spurs me to try to do more, even if there's little hope of success... I'd like to think that I'd try to do better no matter how well I was doing. And that, I suppose, is good and bad. Contentment is murder to improvement, but it's still something we all strive for, isn't it? Is a life of always pushing against what you've done to achieve something more inherently better than just accepting a life that's fine, but not as good as it could be? My official goal, I guess, is to aim for the middle of those extremes, but I can't really see ever being content even if I wasn't just treading water every day.
Still, this sort of behavior, as self-aware of it being self-induced as I am, probably can't continue. I need to find a better way, at least for now, to balance what gives me substance with what pays the bills. Luckily I've got all night to think about it! Just let me crack open another Diet Coke...
3.22.2009
Eight Musicians On God (From "The City")
PORTIA
There is magic in every tiny crevasse of this world. Imagine a place of such intricacy and wonder - there is no chance in it, of course. It's all gloriously designed. My breath, my footsteps, my words all drawn out in perfect detail on Her meticulous blueprint. Her hand, plotting the story... but She has enough faith in Her creations that she allows them a fraction of Her boundless imagination. You think of a sonnet, or a symphony, and what, more who, is it there that spawned it? What is that profound inspiration? Where is that well of creativity that the work is drawing from? And I have to think that Her art is multiplied a million times over. Each of Her works birthing even more works, things that, in as much as her omniscience allows, can maybe even surprise her? Think of this: for so long we have copied Her creations. We tried to recreate nature in static image, or describe it with inadequate language. But even in that dawning era, there was the spark of novelty. In our mythology we invented a whole world outside of what She'd shown us. An imitation, to be sure... in our limited capacity we can, at best, rearrange what She's given us in relatively novel ways. But think of how many pieces She's seen fit to bestow! Think of the seeming unending variety of Her world, and the huge palette it allows us to work from. There are a thousand bits of creation in even the smallest stone. There are such minute diffusions of color that every single shade of green can take on its own unique meaning! Our toolbox is filled with a staggering amount of possibilities, of near infinite variations on all the splendor She has shown us. God has given us so many gifts, but I can't imagine a single thing greater than that bit of Her she's bequeathed to us. The greatest gift is Her own ambition, that impetus to create that She's been kind enough to grant.
MICHAEL
If there's a God, and let's be clear: I'm praying there isn't... but if there is, it means all I can do is a pale copy of His creation, and even in that, I'm nothing more than a tool of His oppressive will. How can you claim responsibility for what you've made if it wasn't yours to begin with, or if all you are is a cog in His machine, or a character in His book? To be artificial, to be created by an authority, well that's no better than being a plaything, right? That's nothing more than being an automaton, guided solely by some greater force's whims. If there is a God, if there is an omnipotent thing, all present in this world, then I don't have a single original thought in my head. If there is a God, then I don't have a choice in any action I take, in anything I create, or really, in anything at all. That poem I wrote? It's God's. The song I composed? God's. The cake I baked? Even that's God's, right? He put the notion of it in me. I'm just an instrument. A means to an end. To even suggest there's such a thing as freedom is a joke. The thing can't be everywhere, can't be all knowing without having wholly dictated what I am. At best, I suppose, if there's a God, maybe it's a dispassionate being. Something that made us and then let us be. But even then, that thing, if it created this world, it couldn't really grant us freedom, could it? Even if you claim freedom, that being, that dispassionate God, would've had to make the rules, the rules that decide everything. So even an uncaring deity would be responsible, at least indirectly, for every last thing knocking around in my brain. What I'd hoped for, what I wanted to be true (but am now quite sure isn't) is that there is no creator. No divinity overseeing his world. If I am an accident, a byproduct of an unfeeling cosmos, at least then I am free. Responsible entirely for my own fate. But then, I guess, the cosmos itself is God, and I face the same problem. All of which leads me to the inexorable (and hopeless) conclusion that I am nothing but a lifeless thread in someone's, or something's, immense tapestry. So my only consolation is in the thought that if there is God (and let's be clear: I still pray there isn't), He's hopefully just as artificial as I am, another thread in someone else's weaving, and feeling the same impotence as I am.
THOMAS
We can be cogs, understand? We can be no more alive than the bits of wiring in the telex machine or the circuitboard in the computer. We can fill that role, I suppose, letting ourselves slip into our preconfigured notions of what it is to be made. But, under that, there is still a warm heart that beats in us, and we are full up of the irrational, and the passionate and even the insane. Filter us through logic, and you might have chess pieces predestined by some greater being, sure. But the sting of loss and the kiss of loneliness resonate in me, and so I know (I don't really know, I'll admit it) I am more than just guided missile parts and machine gun accuracy. We impose our own prison walls, we hide in the shadows cast by autocrats and claim no responsibility. We let it all wash over us and blame, with some validity, sure, the monster or monsters in power. But I can't shackle God with that. We might be hardwired for something, maybe rote, maybe divine... but you have that heart beating in you and the capacity for independence in it too. Argue logically with me, I don't mind. It sloughs off, because what faith is is knowledge of what you can't ever really know. We are more than a whirring collection of internal machinery and programmed destinies. I know it, even if I can't really know it. I feel. That's enough to give me all the faith in something greater I need. I won't say that God is necessarily active, or even real in the way a brick or a car or the moon is real. Obviously it's not something to touch with your hands. You can't see it with your eyes. But it figures. We are mystery. Our whole being is questionable and if you can question yourself you can bring the whole Sea of the universe into doubt. And it doesn't matter. It's simple to get mired in the crush. The world we built, though, isn't God's. His is elegant... savage, sure, but chugging along of its own accord independent of the ruinous little monkeys unable to get along with anything. We are not tied to any stake except the stakes we've imbedded on our own. Free will. And it only matters to the extent that I do not have to be confined to just one tedious world. Why bother the unknowable with your ideas of what it means to be free? Exercise it, that freedom, and I assume that's enough to keep it pleased.
TOM
You can question His existence, I know it. It's easy, because you'll see a child trampled by life, or an innocent swallowed up by the earth, or a knife in your jugular and there's no reason in it, you figure. And maybe that's right. It seems to be an easy out, doesn't it, to keep citing some grandiose plan He didn't see fit to share with us? Doesn't it seem awfully cruel of Dad to constantly let his kids suffer for the sake of some perceived greater good? And, sure, I can see that. But at the worst, you can say the guy's ambivalent, or that His rule is pretty arbitrary, right? I don't think it's even a question... I don't know that you can hold God accountable, guilty, for what you think are His transgressions. Really, it's probably more like indifference, huh? But then I look at something pretty or something amazing. Look at the way the sunset ignites the sky into a gorgeous inferno of pink and red and orange and yellow. Look at the purple strata of a canyon so deep that the bottom blurs from your sight. Look at the head of an eagle, or the tail of a swan or the markings on a clown fish. And you can point at it, and you can tell me that it's all science and accidents but it's not. It's no less than the greatest work of art conceivable. A project so massive it incorporates the whole of existence. And the detail, the detail just here on our little corner of the universe is incredible. And we dovetail into the rest of it, a picture so big you can't even really imagine it. And again, scream science and accidents, it's just not. You can feel Him, there in the pitch black of an infinite sky, or the murky deep of some algae smothered bay, or the architecture of some moldy pile of bones that used to be a man. Reflections of Him, his brush or chisel or clay or whatever the hell it is you make a world out of. Maybe it's just words, I don't know. And are you a speck to Him? Probably. But I figure if something's, someone's, important enough to design everything ever, you can't expect to matter much. So, I won't fault you claiming God's indifference, and probably His biggest mistake, the most egregious lapse in omniscient judgment was His letting us see our own insignificance. It does seem unnecessary, almost mean spirited. But I'm gonna succumb to the cop out. Who are you, you dust mote? Who are you to question what brought you into this place? You're a trifling nothing bobbing around in something so gigantic that it doesn't even pay to try to think on it. And you can say it's unfair. It probably is. But so what? You stand up to the giant, little tailor, go ahead. See what it gets you. You're an insect. As for me, I'll just be content to watch it, and try to leave my stinger in where I can.
RICHARD
I guess it's one of those things where we pretend to know, because not knowing it is just too much on the overwhelming side. I can tell you what I think, or rather what I wish was true, and what probably isn't. But I want that kindly God. I want that God that resides up in some heavenly gilded palace, waiting on your prayers and doling out justice to the sinners and equity to the righteous. But you don't see much evidence of that. I wonder how much we make up, how much our fear and anxiety at being lost little children in a haunted forest dictates what we invent in God. When you're faced with the reality of life, of power and authority in the hands of folks just as flawed as you, it rumbles a bit, and really makes you long for divinity. And, too, it gets to be something to strive for. We wallow in the mud of imperfection, stuck by our inability to always make sense, or our unwillingness. So I think we try to see a future brighter in the eyes of the compassioned perfection. Or maybe we really do see it. Maybe we are allowed a glimpse, and our wishes maybe are more than just wishes. Maybe we get to reflect the ideal, even if just a fraction of it. There are times, and I do know the power of want is incredibly persuasive... but at times, you might just be overtaken with the sense of it all being bigger than just you and your petty real world concerns. You might be isolated, wandering the desert, and just be struck with it, a bolt of lightning and the scales slipping off your eyes. We see the Angels, we feel the jabs of devils' forks and above all those there might be a greater force. Or not. It has a sort of ambivalence to it, because as much as you might want to know it, you just can't. Maybe when you pass along, but never before. But what you want to be true is sometimes more real than what is true anyways. And no matter what the truth might be, I'm going to have to believe in something bigger and sweeter than the muck we find ourselves rolling in now.
CASEY
To talk about it is really pretty useless, ain't it? Think about it. If there is a God, there is. If there ain't, there ain't. We can't do nothin' about it. God is most useful, anyways, as an idea. Or most harmful, I guess... But He can be something to check yourself against, or pray to when you've got nowhere else to go. I mean, it's not like He's answering you when you ask Him something, right? You might feel like He is, but He's not. Honest. That's not sayin' He's not up there, somewhere, watchin' over us. I can't say that. Nobody can. Either way, y'know? But we do. We preach ham-fisted sermons on soapboxes and nail our theses in bold type to the church door and shout our condemnations at who we figure to be lowlier and more sinful'n us. Or do it opposite. We tell you you're a fool for believin' in what you can't see and that everything is just random and God ain't nothin' more than myth and legend. But truth is, we don't know. It's a funny thing, sorta, people gettin' so worked up over their baseless opinions. Baseless, like what can you do to prove it? Nothin'. You can't. And you might spend your whole life tryin', either way, but you won't come to any conclusion. You think what you're gonna think, and nothin' but tragedy or miracles're gonna change your mind. So, whether I think there's a God watchin' over me is pretty irrelevant. Well, it's irrelevant whether it's true or not. 'Cause the power ain't in it being true. The power in it is how strong your convictions are. So that you can use Him as strength, a crutch in your hard times. Or you can defend your bein' an asshole by pinning your bigotry and hatred on Him. Or you can revel in the lack of any cosmic responsibility, thinkin' that spiritual ethics are nothin' but the invention of petty men trying to control your mind. Or you can live in unending fear of the oblivion spiral that's waiting for you at death. That's what God really amounts to ain't it? A collection of hope and fear played out in your head... justification in any means of what you want the world to be, or what you're afraid it is. So, God doesn't matter. Not directly at least. But what I think of Him does, I s'pose. So what do I think of God? I guess I don't know. And I probably won't until I die.
TUCK
I imagine a God no better than me. A God just as flawed and lost and hoping to make sense of Her world by creating Her own world. We do it. We create in an effort to understand. I don't know if we're replicating that godly desire, or really just thinking along the same lines. Is that profane somehow? To humanize God, I suppose... well, it sounds awfully arrogant. But I don't mean it to be. I don't mean to take away from the power of something that could create an entire universe. But that's what's so amazing about us, too. We have that ability. We can create the whole universe in our mind's eye. We can conceive of our own place. I don't really think of it as God's gift or anything, imagination, y'know? Like, I think it's just the byproduct of thought. You exist in this place, and you can't always make sense of the way life works. So much seems outside your control, not even just control, but like, even outside of your understanding. So we fumble around, blind, stupid, hoping for something better. Some people are content, I know, to live without realization. To accept it at face value. This is the world. This is what you get. But then, you can scratch down one more layer. Copy it. Tweak it and make it something your own. And you'll get to a deeper understanding, not a full understanding, I know. But you copy it, you make it something else. Something better. Or try to figure out that it could be worse. And maybe you'll find some reason in it. Some kind of empathy with God, like, here's why She might've done it the way She did. I can't say that for sure, obviously. I'm not gonna go out preach this as gospel. But I think I'm right. I think that God's up there, somewhere, confused and lost in Her own right, and trying to figure out why Her God made Her world the way She did.
LEO
It's easiest to be cynical, and I find myself most often reverting to that mindset, just because it's easiest, I guess. The empirical evidence is pretty staggering. Let's face it. God is dead. He has been for a long time. And the guy comes in so many flavors that somebody just has to be wrong. And then how the Hell are you supposed to choose? You're best bet, like with almost everything else, is that no one is right. And, wow, does it seem made up. Wow, does it seem like we're still a bunch of Neanderthals afraid of the rain and so we burn lambs to appease some mythical monster in the sky. I mean, it's a pretty mind-blowing thing, this whole being alive deal. There's so much that we just aren't privy to. So much that we aren't cut in on, and it makes you feel pretty worthless. And that too, man, I totally get inventing meaning in the face of the meaningless. Because otherwise, really, why? 'Why' is a dangerous little question, and answering it with an all powerful father figure is awfully convenient. So, on most days you catch me, that's what I'll say. I'll say I might be wrong, but I'm probably not. Okay, so that's my inner agnostic. The little philosopher tugging on the strings of my brain. And I really think that that dude is right. He's the one who should be calling the shots. But, and maybe it's just some remnant of that collective unconscious spawned at the dawn of civilization, but I feel like I'm bucking a lightning bolt every time I knock the guy. It's like, no matter how much I rationalize Him out of the picture (and trust me, I can make a damn good case for the non-existence of God) He's always just peering around the corner, winking that big all seeing eye at me, and laughing at my crumbling towers of reason. And what's left then, in those ruins, is this: I don't think I could exist without that cosmic watchmaker. I am going to be the dolt that stands in awe of his creator, whether he wants to believe in Him or not.
(c) 2008 Jason "Danger" Block
There is magic in every tiny crevasse of this world. Imagine a place of such intricacy and wonder - there is no chance in it, of course. It's all gloriously designed. My breath, my footsteps, my words all drawn out in perfect detail on Her meticulous blueprint. Her hand, plotting the story... but She has enough faith in Her creations that she allows them a fraction of Her boundless imagination. You think of a sonnet, or a symphony, and what, more who, is it there that spawned it? What is that profound inspiration? Where is that well of creativity that the work is drawing from? And I have to think that Her art is multiplied a million times over. Each of Her works birthing even more works, things that, in as much as her omniscience allows, can maybe even surprise her? Think of this: for so long we have copied Her creations. We tried to recreate nature in static image, or describe it with inadequate language. But even in that dawning era, there was the spark of novelty. In our mythology we invented a whole world outside of what She'd shown us. An imitation, to be sure... in our limited capacity we can, at best, rearrange what She's given us in relatively novel ways. But think of how many pieces She's seen fit to bestow! Think of the seeming unending variety of Her world, and the huge palette it allows us to work from. There are a thousand bits of creation in even the smallest stone. There are such minute diffusions of color that every single shade of green can take on its own unique meaning! Our toolbox is filled with a staggering amount of possibilities, of near infinite variations on all the splendor She has shown us. God has given us so many gifts, but I can't imagine a single thing greater than that bit of Her she's bequeathed to us. The greatest gift is Her own ambition, that impetus to create that She's been kind enough to grant.
MICHAEL
If there's a God, and let's be clear: I'm praying there isn't... but if there is, it means all I can do is a pale copy of His creation, and even in that, I'm nothing more than a tool of His oppressive will. How can you claim responsibility for what you've made if it wasn't yours to begin with, or if all you are is a cog in His machine, or a character in His book? To be artificial, to be created by an authority, well that's no better than being a plaything, right? That's nothing more than being an automaton, guided solely by some greater force's whims. If there is a God, if there is an omnipotent thing, all present in this world, then I don't have a single original thought in my head. If there is a God, then I don't have a choice in any action I take, in anything I create, or really, in anything at all. That poem I wrote? It's God's. The song I composed? God's. The cake I baked? Even that's God's, right? He put the notion of it in me. I'm just an instrument. A means to an end. To even suggest there's such a thing as freedom is a joke. The thing can't be everywhere, can't be all knowing without having wholly dictated what I am. At best, I suppose, if there's a God, maybe it's a dispassionate being. Something that made us and then let us be. But even then, that thing, if it created this world, it couldn't really grant us freedom, could it? Even if you claim freedom, that being, that dispassionate God, would've had to make the rules, the rules that decide everything. So even an uncaring deity would be responsible, at least indirectly, for every last thing knocking around in my brain. What I'd hoped for, what I wanted to be true (but am now quite sure isn't) is that there is no creator. No divinity overseeing his world. If I am an accident, a byproduct of an unfeeling cosmos, at least then I am free. Responsible entirely for my own fate. But then, I guess, the cosmos itself is God, and I face the same problem. All of which leads me to the inexorable (and hopeless) conclusion that I am nothing but a lifeless thread in someone's, or something's, immense tapestry. So my only consolation is in the thought that if there is God (and let's be clear: I still pray there isn't), He's hopefully just as artificial as I am, another thread in someone else's weaving, and feeling the same impotence as I am.
THOMAS
We can be cogs, understand? We can be no more alive than the bits of wiring in the telex machine or the circuitboard in the computer. We can fill that role, I suppose, letting ourselves slip into our preconfigured notions of what it is to be made. But, under that, there is still a warm heart that beats in us, and we are full up of the irrational, and the passionate and even the insane. Filter us through logic, and you might have chess pieces predestined by some greater being, sure. But the sting of loss and the kiss of loneliness resonate in me, and so I know (I don't really know, I'll admit it) I am more than just guided missile parts and machine gun accuracy. We impose our own prison walls, we hide in the shadows cast by autocrats and claim no responsibility. We let it all wash over us and blame, with some validity, sure, the monster or monsters in power. But I can't shackle God with that. We might be hardwired for something, maybe rote, maybe divine... but you have that heart beating in you and the capacity for independence in it too. Argue logically with me, I don't mind. It sloughs off, because what faith is is knowledge of what you can't ever really know. We are more than a whirring collection of internal machinery and programmed destinies. I know it, even if I can't really know it. I feel. That's enough to give me all the faith in something greater I need. I won't say that God is necessarily active, or even real in the way a brick or a car or the moon is real. Obviously it's not something to touch with your hands. You can't see it with your eyes. But it figures. We are mystery. Our whole being is questionable and if you can question yourself you can bring the whole Sea of the universe into doubt. And it doesn't matter. It's simple to get mired in the crush. The world we built, though, isn't God's. His is elegant... savage, sure, but chugging along of its own accord independent of the ruinous little monkeys unable to get along with anything. We are not tied to any stake except the stakes we've imbedded on our own. Free will. And it only matters to the extent that I do not have to be confined to just one tedious world. Why bother the unknowable with your ideas of what it means to be free? Exercise it, that freedom, and I assume that's enough to keep it pleased.
TOM
You can question His existence, I know it. It's easy, because you'll see a child trampled by life, or an innocent swallowed up by the earth, or a knife in your jugular and there's no reason in it, you figure. And maybe that's right. It seems to be an easy out, doesn't it, to keep citing some grandiose plan He didn't see fit to share with us? Doesn't it seem awfully cruel of Dad to constantly let his kids suffer for the sake of some perceived greater good? And, sure, I can see that. But at the worst, you can say the guy's ambivalent, or that His rule is pretty arbitrary, right? I don't think it's even a question... I don't know that you can hold God accountable, guilty, for what you think are His transgressions. Really, it's probably more like indifference, huh? But then I look at something pretty or something amazing. Look at the way the sunset ignites the sky into a gorgeous inferno of pink and red and orange and yellow. Look at the purple strata of a canyon so deep that the bottom blurs from your sight. Look at the head of an eagle, or the tail of a swan or the markings on a clown fish. And you can point at it, and you can tell me that it's all science and accidents but it's not. It's no less than the greatest work of art conceivable. A project so massive it incorporates the whole of existence. And the detail, the detail just here on our little corner of the universe is incredible. And we dovetail into the rest of it, a picture so big you can't even really imagine it. And again, scream science and accidents, it's just not. You can feel Him, there in the pitch black of an infinite sky, or the murky deep of some algae smothered bay, or the architecture of some moldy pile of bones that used to be a man. Reflections of Him, his brush or chisel or clay or whatever the hell it is you make a world out of. Maybe it's just words, I don't know. And are you a speck to Him? Probably. But I figure if something's, someone's, important enough to design everything ever, you can't expect to matter much. So, I won't fault you claiming God's indifference, and probably His biggest mistake, the most egregious lapse in omniscient judgment was His letting us see our own insignificance. It does seem unnecessary, almost mean spirited. But I'm gonna succumb to the cop out. Who are you, you dust mote? Who are you to question what brought you into this place? You're a trifling nothing bobbing around in something so gigantic that it doesn't even pay to try to think on it. And you can say it's unfair. It probably is. But so what? You stand up to the giant, little tailor, go ahead. See what it gets you. You're an insect. As for me, I'll just be content to watch it, and try to leave my stinger in where I can.
RICHARD
I guess it's one of those things where we pretend to know, because not knowing it is just too much on the overwhelming side. I can tell you what I think, or rather what I wish was true, and what probably isn't. But I want that kindly God. I want that God that resides up in some heavenly gilded palace, waiting on your prayers and doling out justice to the sinners and equity to the righteous. But you don't see much evidence of that. I wonder how much we make up, how much our fear and anxiety at being lost little children in a haunted forest dictates what we invent in God. When you're faced with the reality of life, of power and authority in the hands of folks just as flawed as you, it rumbles a bit, and really makes you long for divinity. And, too, it gets to be something to strive for. We wallow in the mud of imperfection, stuck by our inability to always make sense, or our unwillingness. So I think we try to see a future brighter in the eyes of the compassioned perfection. Or maybe we really do see it. Maybe we are allowed a glimpse, and our wishes maybe are more than just wishes. Maybe we get to reflect the ideal, even if just a fraction of it. There are times, and I do know the power of want is incredibly persuasive... but at times, you might just be overtaken with the sense of it all being bigger than just you and your petty real world concerns. You might be isolated, wandering the desert, and just be struck with it, a bolt of lightning and the scales slipping off your eyes. We see the Angels, we feel the jabs of devils' forks and above all those there might be a greater force. Or not. It has a sort of ambivalence to it, because as much as you might want to know it, you just can't. Maybe when you pass along, but never before. But what you want to be true is sometimes more real than what is true anyways. And no matter what the truth might be, I'm going to have to believe in something bigger and sweeter than the muck we find ourselves rolling in now.
CASEY
To talk about it is really pretty useless, ain't it? Think about it. If there is a God, there is. If there ain't, there ain't. We can't do nothin' about it. God is most useful, anyways, as an idea. Or most harmful, I guess... But He can be something to check yourself against, or pray to when you've got nowhere else to go. I mean, it's not like He's answering you when you ask Him something, right? You might feel like He is, but He's not. Honest. That's not sayin' He's not up there, somewhere, watchin' over us. I can't say that. Nobody can. Either way, y'know? But we do. We preach ham-fisted sermons on soapboxes and nail our theses in bold type to the church door and shout our condemnations at who we figure to be lowlier and more sinful'n us. Or do it opposite. We tell you you're a fool for believin' in what you can't see and that everything is just random and God ain't nothin' more than myth and legend. But truth is, we don't know. It's a funny thing, sorta, people gettin' so worked up over their baseless opinions. Baseless, like what can you do to prove it? Nothin'. You can't. And you might spend your whole life tryin', either way, but you won't come to any conclusion. You think what you're gonna think, and nothin' but tragedy or miracles're gonna change your mind. So, whether I think there's a God watchin' over me is pretty irrelevant. Well, it's irrelevant whether it's true or not. 'Cause the power ain't in it being true. The power in it is how strong your convictions are. So that you can use Him as strength, a crutch in your hard times. Or you can defend your bein' an asshole by pinning your bigotry and hatred on Him. Or you can revel in the lack of any cosmic responsibility, thinkin' that spiritual ethics are nothin' but the invention of petty men trying to control your mind. Or you can live in unending fear of the oblivion spiral that's waiting for you at death. That's what God really amounts to ain't it? A collection of hope and fear played out in your head... justification in any means of what you want the world to be, or what you're afraid it is. So, God doesn't matter. Not directly at least. But what I think of Him does, I s'pose. So what do I think of God? I guess I don't know. And I probably won't until I die.
TUCK
I imagine a God no better than me. A God just as flawed and lost and hoping to make sense of Her world by creating Her own world. We do it. We create in an effort to understand. I don't know if we're replicating that godly desire, or really just thinking along the same lines. Is that profane somehow? To humanize God, I suppose... well, it sounds awfully arrogant. But I don't mean it to be. I don't mean to take away from the power of something that could create an entire universe. But that's what's so amazing about us, too. We have that ability. We can create the whole universe in our mind's eye. We can conceive of our own place. I don't really think of it as God's gift or anything, imagination, y'know? Like, I think it's just the byproduct of thought. You exist in this place, and you can't always make sense of the way life works. So much seems outside your control, not even just control, but like, even outside of your understanding. So we fumble around, blind, stupid, hoping for something better. Some people are content, I know, to live without realization. To accept it at face value. This is the world. This is what you get. But then, you can scratch down one more layer. Copy it. Tweak it and make it something your own. And you'll get to a deeper understanding, not a full understanding, I know. But you copy it, you make it something else. Something better. Or try to figure out that it could be worse. And maybe you'll find some reason in it. Some kind of empathy with God, like, here's why She might've done it the way She did. I can't say that for sure, obviously. I'm not gonna go out preach this as gospel. But I think I'm right. I think that God's up there, somewhere, confused and lost in Her own right, and trying to figure out why Her God made Her world the way She did.
LEO
It's easiest to be cynical, and I find myself most often reverting to that mindset, just because it's easiest, I guess. The empirical evidence is pretty staggering. Let's face it. God is dead. He has been for a long time. And the guy comes in so many flavors that somebody just has to be wrong. And then how the Hell are you supposed to choose? You're best bet, like with almost everything else, is that no one is right. And, wow, does it seem made up. Wow, does it seem like we're still a bunch of Neanderthals afraid of the rain and so we burn lambs to appease some mythical monster in the sky. I mean, it's a pretty mind-blowing thing, this whole being alive deal. There's so much that we just aren't privy to. So much that we aren't cut in on, and it makes you feel pretty worthless. And that too, man, I totally get inventing meaning in the face of the meaningless. Because otherwise, really, why? 'Why' is a dangerous little question, and answering it with an all powerful father figure is awfully convenient. So, on most days you catch me, that's what I'll say. I'll say I might be wrong, but I'm probably not. Okay, so that's my inner agnostic. The little philosopher tugging on the strings of my brain. And I really think that that dude is right. He's the one who should be calling the shots. But, and maybe it's just some remnant of that collective unconscious spawned at the dawn of civilization, but I feel like I'm bucking a lightning bolt every time I knock the guy. It's like, no matter how much I rationalize Him out of the picture (and trust me, I can make a damn good case for the non-existence of God) He's always just peering around the corner, winking that big all seeing eye at me, and laughing at my crumbling towers of reason. And what's left then, in those ruins, is this: I don't think I could exist without that cosmic watchmaker. I am going to be the dolt that stands in awe of his creator, whether he wants to believe in Him or not.
(c) 2008 Jason "Danger" Block
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