It is Sunday night, two nights after Sean met Athena, and the encounter has stuck in his playing, playing over and over again like a skipping record. He has never experienced such a tangible memory. It's a drug. He is addicted to the memory of her. He is addicted to the vision of her in the smoke filled room, bathed in the effervescent green and red and purple light of the concert hall. Every detail is stitched into his brain. The way her shirt hung off of her porcelain shoulders and dipped, low-cut and perfect, in the front. He remembers the brown thread stitched delicately around the collar and the wide bell cuffs. He remembers the natural frowning shape of her mouth, the glossless pink of her lips, the smattering of light machine gun freckles near her nose, the gorgeous length and blackness of the lashes surrounding her shock green eyes. He remembers the complex highlights and shadows in her hair, the way it hung over her ears and parted over her forehead and how a rogue wisp of it fell across her eye. He remembers her shape, her almost criminally curvaceous figure, her lack of height, and the defensive stance she had when he introduced himself. He remembers the inadvertent flinch she gave, the surprise of being approached and the wariness that crept into her initial smile. He remembers her so vividly. He remembers the sharpness of her chin, the breadth of her face, the slight rose in her cheeks and the almost unearthliness paleness of her white skin. He remembers her voice, especially, how it was the perfect complement to her, how she was the form he'd envision if he'd only heard her speak on the phone or the radio. He remembers the slight crookedness of her teeth, the dissatisfied calmness of her demeanor, and the cool economy of her language. She wasn't wordy. She answered his small handful of questions in a way that was efficient without being terse.
Athena lived nearby and she was a year younger than Sean. She worked as a receptionist at a high school, which is she loathed, but she was putting herself back through college after having dropped out a semester prior to getting a degree in graphic design. She was single and hadn't had a boyfriend in a while. And, yes, she would be interested in having dinner with Sean some night.
She didn't have any paper with her because she never took her purse to concerts. Sean had accidentally left his phone at home. He did have a silver Sharpie, however, and Athena scrawled out her number on the palm of Sean's hand. The silver was barely legible on against his own white skin, so she wrote the number, again, on his forearm. Sean was embarrassed by the way the sensation of her hand on his arm shocked him, and how the force of it fanned out like downed wire electricity through every nerve in his body. It was at that moment he sadly took note of how long it had been since any girl had touched him.
She was very explicit in her instructions. He was to call her on Monday, because to do so earlier would make both of them feel very desperate. And then she left. She didn't stay at the concert. She didn't hang out with Sean after their brief, wonderful little meeting. She just disappeared. It was probably for the best, because it allowed time for Sean to reboot. The anxiety of the moment had pretty much caused every major system in his body to up and shut down. Sean didn't mind, though. The silver permanent ink on his hand and arm more than made up for the cardiac arrest.
And now it is Sunday and he is waiting. The ink is still clinging, stubbornly, to his skin, but he has transferred her number to multiple sources in a prudent act of safe keeping. He is laying on his bed, listening to songs shuffle on his laptop. Every song seems to be about love, and it is torturous. He has spent the last two days fabricating his first date with Athena, mapping out potential sites, creating mental flowcharts of potential disasters and missteps. He is excited to find out who she is. His gut is telling him that she is amazing, that she is brilliant and as dispassionately interested in everything as he is. His gut is telling him that she is cutely misanthropic and that she has great taste in music and movies and books. His gut is telling him that she hates all the same things he hates. His gut, he knows, could be dead wrong, but he can't wait to find out. He contemplates breaking her rule and calling tonight. He wonders if she would find that annoying or endearing.
Somehow he knows that she would find it annoying. And he loves that. He has been a model of self-control for years, now. He can wait another day, even if that waiting leaves him feeling twitchy and pathetic.
As song after song relays the horrors and divinities inherent in loving another person, Sean realizes how long it's been since he's looked forward to anything. Nearly every aspect of his life had been something to endure, something to slog through on the slow march to death. He didn't tell people that very often, as they tended to take a dim view of him and his dreary outlook, but it really was how he felt. Usually. But he was actually longing to call Athena. He wasn't looking past his dinner with her to the point when it was over and he could return to the solitary lair of his apartment. In fact, the time approaching his call was interminable. He felt as if it had been weeks since they'd met. He wanted so badly to be sitting across from her, talking to her, getting to know her. He forgot what anticipation was really like... before Athena, it had all but been replaced with dread.
He was worried, of course, about the impression he'd make on her... about the impression he'd already made, but it wasn't the crippling anxiety to which he was accustomed. Instead, it was the sort of thrilling worry that goes along with a roller coaster ride or a good scary movie. He was ready to be scared.
The vision of her was still there, and he tried to shake it. He didn't want to obsess or deify her. Although, with a name like Athena, it might be completely warranted.
Showing posts with label dread. Show all posts
Showing posts with label dread. Show all posts
5.22.2010
1.23.2010
Remedy
Minutes tick by and Benjamin sits in the dark, listening to the motion on the clock and checking his wrist, every so often, for a pulse. This fear of dying, it's irrational, he knows it, but it's all he's dreamt of, all he's imagined, now (against his will) for so long. It's gutted him. Once that realization of mortality (an honest realization, not the sideways and muted understanding that most people give it, but the very visceral and powerful fact that his life is ebbing away, tick by tick, tock by tock) set in, it wriggled its way into his consciousness, laid parasite eggs and took over. And now he's literally listening to life end. In any moment of concentration, any moment where he is not distracted by hunger or lust or something interesting on the television, he imagines scenario after scenario after scenario and he wonders how his imagination will dovetail with his actual demise. He fears his fear most of all. Second to that, he fears that he will die before he accomplishes anything. Sometimes, that fear is mutated into a palpitation-worthy worry that he will die JUST as he accomplishes something, thusly being robbed of its reward. However, at three in the morning, with work mere hours away and no sleep in sight, it is unlikely that Benjamin will need to worry about the latter case.
His life, he sometimes realizes, is a monument of incompletion. He has three quarters of a necessary ambition, and it serves him well, up to a point. Beyond that, boredom sets in. Or, rather, what Benjamin calls boredom sets in. What it is, really, is worse. There is another horrible realization, similar to the gut wrenching knowledge of his own mortality, that plagues Benjamin. Unlike many successful people, Benjamin is all too aware of his own mediocrity. And so, as a project winds down, as a genuine accomplishment nears, Benjamin takes stock of his work and he dismisses it as too banal, too mundane, too pedestrian, too dull to be meaningful. Completion, he decides, is only a waste of his precious, dwindling time. And he surrenders progress for depression, vowing not to try again. His projects, like hunger, lust and good television, are a very viable distraction from worrying about death. The abandonment of his work, then, opens the door to these long, interminable nights of irrational terror. The whole of it is compounded, then, by the lack of accomplishment, the surrender which pushed him down in the first place, and an increasing amount of crazy brought on by the resulting insomnia. He finds himself in the middle of a vortex of self-created lunacy, and he struggles to free himself of its hold. He spends waning minutes of his life (waning, in the fact that he is on a slow march to the grave... there is no valid reason to believe his ending is coming soon, although he can cite, with chilling detail, how very thin the line between life and death is, and he will expound in unpleasant volume about how no one is guaranteed an average lifespan) fretting over his seeming inability to do anything of value, and as he wastes those waning minutes, he only has reason to chastise himself more.
He is at a loss. He wonders, then, if he would be better served by lowering his expectations of life, by embracing his mediocrity and enjoying the bland pleasures that seem to sustain most people. He has a hard time swallowing it. He wants to offer up something, to create something of substance, to be known, to be admired, to be respected. He does not want to just give in to a daily grind of punching a clock and being told what to do by an army of superiors all working to keep some indifferent and colossal cash machine running, oiled with his blood and sweat. But, given his lacking skill, given his inability to rise above the middling, he wonders if he really has any choice at all. Maybe he's only making himself ill by peppering everything with expectation and a desire to elevate. Maybe he's killing himself with delusion, losing time that he could appreciate the simple things of life. Without the constant want, perhaps he could settle into a pleasant rut and develop a comfort that would mitigate his menial and unimportant place in the world. That thought is both seductive and the most absolutely depressing thing he's ever considered. And so he continues on, stuck in a stasis of his own creation, unable to live up to his own expectations. His ambition is outsized. His capability is puny in comparison. He doesn't know what to do. He doesn't know how to remedy the situation.
As time slips by and daylight creeps up, he thinks there might not be a remedy at all.
His life, he sometimes realizes, is a monument of incompletion. He has three quarters of a necessary ambition, and it serves him well, up to a point. Beyond that, boredom sets in. Or, rather, what Benjamin calls boredom sets in. What it is, really, is worse. There is another horrible realization, similar to the gut wrenching knowledge of his own mortality, that plagues Benjamin. Unlike many successful people, Benjamin is all too aware of his own mediocrity. And so, as a project winds down, as a genuine accomplishment nears, Benjamin takes stock of his work and he dismisses it as too banal, too mundane, too pedestrian, too dull to be meaningful. Completion, he decides, is only a waste of his precious, dwindling time. And he surrenders progress for depression, vowing not to try again. His projects, like hunger, lust and good television, are a very viable distraction from worrying about death. The abandonment of his work, then, opens the door to these long, interminable nights of irrational terror. The whole of it is compounded, then, by the lack of accomplishment, the surrender which pushed him down in the first place, and an increasing amount of crazy brought on by the resulting insomnia. He finds himself in the middle of a vortex of self-created lunacy, and he struggles to free himself of its hold. He spends waning minutes of his life (waning, in the fact that he is on a slow march to the grave... there is no valid reason to believe his ending is coming soon, although he can cite, with chilling detail, how very thin the line between life and death is, and he will expound in unpleasant volume about how no one is guaranteed an average lifespan) fretting over his seeming inability to do anything of value, and as he wastes those waning minutes, he only has reason to chastise himself more.
He is at a loss. He wonders, then, if he would be better served by lowering his expectations of life, by embracing his mediocrity and enjoying the bland pleasures that seem to sustain most people. He has a hard time swallowing it. He wants to offer up something, to create something of substance, to be known, to be admired, to be respected. He does not want to just give in to a daily grind of punching a clock and being told what to do by an army of superiors all working to keep some indifferent and colossal cash machine running, oiled with his blood and sweat. But, given his lacking skill, given his inability to rise above the middling, he wonders if he really has any choice at all. Maybe he's only making himself ill by peppering everything with expectation and a desire to elevate. Maybe he's killing himself with delusion, losing time that he could appreciate the simple things of life. Without the constant want, perhaps he could settle into a pleasant rut and develop a comfort that would mitigate his menial and unimportant place in the world. That thought is both seductive and the most absolutely depressing thing he's ever considered. And so he continues on, stuck in a stasis of his own creation, unable to live up to his own expectations. His ambition is outsized. His capability is puny in comparison. He doesn't know what to do. He doesn't know how to remedy the situation.
As time slips by and daylight creeps up, he thinks there might not be a remedy at all.
9.01.2009
Change
As the darkness of night closed in on Marshall, he sat on his bed, his head in his hands, and a sort of monolithic sorrow crushing his chest. He was certain, now, of his own stupidity, his absolute lack of grace. He had ruined everything and he was sure it was never going to be good again.
The sun set, and dark rolled in, and soon, Marshall was illuminated only by an orange glow of parking lot lights streaming in through the half-open slats of his blinds. A desk fan oscillated and hummed. Dogs barked outside. Every now and then, he could hear a couple pass by on the sidewalk or a car drive past. He felt sick. Isolated. Alone. He replayed the day’s events in his head, over and over, and with each successive viewing, the error seemed more obvious. It seemed more egregious. A cool breeze blew in through the window and jostled the blinds. There was a mild din of plastic on drywall as the treatment slapped around. He didn’t know what to do now. He felt paralyzed. Abandoned.
Nothing good, he decided, came from expressing emotion. Nothing good came from telling someone how you really feel. All it does, he decided, is shatter finely built illusions. All it does is force reality to come charging through like rhino. When people ask you how you’re doing, they don’t really care. Nobody wants to hear about your fears or your worries or your hopes or your dreams. That’s what therapists are for. People want the artifice of intimacy without really knowing a thing about one another. That’s what she had wanted. And he wrecked that. He wrecked it and he didn’t know how, of even if, it could be rebuilt.
At some level, of course, Marshall knew she knew. She had to know. She wasn’t stupid. She wasn’t blind. She saw him fawn over her, gush over her, leap to her defense, beg for time. She saw all of that. She knew he was in love. But she was lucky enough to not really know. She could believe anything she wanted. She had nothing but circumstantial evidence… just an idea of it, no proof. Before he felt the need to upend his guts and tell her, breathlessly, just how in love he was, she could claim blissful and beautiful ignorance. Her reality was constructed in such a way that she and Marshall could be friends and nothing more, because Marshall never made the demand of anything else. She was fine pretending at closeness, and assumed that he was too. But inside, he was dying. Inside, he was clamoring to expel the truth.
As he sat on his bed in the dark, he wondered why he did it. He couldn’t adequately explain it. His stomach had been in knots around her. His brain hemispheres fused together in awe and lovestruck idiocy whenever the two of them were together. He cherished those moments, like rare stamps in some collection of time. Those moments stood out to him, and he wanted more. She was clear in her boundaries, but it didn’t stop his ridiculous heart or his ridiculous head from wanting, so badly, to cross into her borders. He kept it in check. He convinced himself, for a while, having her affection in any way was enough. But it wasn’t. It wasn’t close. It only whet his appetite. Every minute with her called out for duplication, for exponential growth. Every blush of something more only made the gulf between his hope and his reality that much more pronounced. He began to loathe the situation, the limits, the constraints and he hated himself for being cowed into action by his own asinine feelings.
He laid down then, on top of his blankets, in his clothes and tried to sleep, but he failed miserably in the attempt...
As night fell, Meredith was laying on her bed, struggling with a headache and pressing down on her eyes with her forearm draped across her face. She was sad and she was tired and she was angry that she wasn’t going to get to sleep tonight. She wished, somehow, she could go back and erase the last few hours, or that, at the very least, she could get a do-over. With her eyes shut so tightly, all she could see was the look of heartbreak on his face as he whispered “I love you,” and she responded with, “No you don’t.”
He did love her. She knew it. She didn’t want to know it and she certainly didn’t want to admit it, but it was doubtless. There was a polished sheen to the way he treated her… there was, in his words and his actions, a sort of barely contained admiration that both flattered and frustrated her. She knew. She could even pinpoint when his affection changed, when it grew it something unwieldy and larger than life. She saw the difference. He struggled with it, she could tell. And she wanted, badly, to somehow put him at ease. But she didn’t know what to say. The idea of it scared her to death. The idea that things could sour, that the status quo, a good status quo, might change made her sick to her stomach. So she ignored it and prayed that he would latch his attention on to somebody else. The idea of that made her queasy too. She liked things exactly how they were, but nothing stays the same for very long. Today she felt like she was watching a distant tornado, admiring it from her roof before realizing with dawning horror that it was headed straight for her. Now things had changed, and badly, and he was hurt and she was hurt and she didn’t know how to soothe any of it.
It wasn’t exactly that she wasn’t interested. She was. As much as she gagged at the idea of a soul mate, he was awfully close to that ideal, and she felt better with him than she did without. For Meredith, that was about as high of praise as any potential mate could get. But she squirmed, sometimes, at the idea of it as well. She would imagine the awkwardness of a first real date, a first real kiss… she would cringe at the thought of actual intimacy with someone she genuinely cared about because it just left so much room for things to go awry. She couldn’t bear the thought of losing him, so she kept up as many walls as possible and expunged any romantic notion of him from her head. Every now and then, her heart would twinge as she felt the flush of his kindness, of his compassion, of thoughtfulness she didn’t believe she’d ever be the recipient of. And she would crumble, a little, and try desperately not to let on.
Now, as the moon rose and she downed a cocktail of too many aspirin and too much Diet Coke, she was struck by just how off the rails it had all gone. She wished, then, that she could cry, because it seemed like other people in similar situations always felt better after a good cry. But she couldn’t do it. She didn’t even know what muscle to flex. She felt sad enough, certainly, but it just sat on her shoulders, heavy and damp, and she slumped back onto her bed and covered up her eyes again and pictured him, standing there, trembling with emotion and rejected wholesale by the girl he adored. If it had been anyone else she would have chastised their weakness, she would have mocked how much they cared. But she could feel it from it, waves of heat like the warmth of a campfire, and it was sincere and it was directed at her. She wanted, at that moment, to wrap her arms tightly around him and press her lips against his and tell him, madly, that she loved him too. She imagined it, and it seemed strained. It wasn’t her, and it wasn’t the response she could ever muster no matter how deeply she felt for him. It was too much, too theatrical… too showy. She did love him. If she was honest, she had to admit it, but she’d never love him in the same way he loved her. He’d never believe it because she’d never be able to show him. She convinced herself that, bad as this was, it was better in the long run.
But the long run seemed awfully far off on the horizon, and the here and now sucked. She hated knowing how badly he felt and she hated, even more, how badly she felt, herself. She tried, again, to picture the two of them, together, actually together, holding hands or sharing popcorn or driving late at night to faraway, star spackled beaches, content in a lovely silence and happy just to be with one another. And all of it fit. She didn’t retch, she didn’t recoil. The kissing, the sex, the gangly retro-teenage awkwardness of a burgeoning relationship was surmountable. It would, she was certain, be enjoyable at some point, even if it took some getting used to. So why did she balk at it? Why was her reaction so harsh and so cold and so damning? She knew why.
To let him in, to open that door and start something new would mean a drastic change. And Meredith saw all of the potential pitfalls... whatever he had to offer, she couldn't see the benefits being worth the trouble. She was angry at herself for admitting that, but she was, at her core, a brutally honest girl. She struggled with the loss and desperately searched reason to find a decent way out... but she couldn't think of anything to do or anything to say to assuage the situation.
She let out a soft painful moan and tried to sleep. She couldn't do it. Her brain wouldn't shut the hell up.
At around three in the morning, both Marshall and Meredith were bleary-eyed and wild with insomnia. Both of them thought fondly of the other, and then coldly, and then angrily and back to fondly again. Both of them felt bound by arbitrary rules, bound by some unwritten etiquette, bound by limitations and expectations they had set for themselves, and they were suffering because of it. Both of them felt hollow, out of sorts with the circumstances and lost in some sickening, confusing sea. Both of them wanted nothing more than to call the other, to hear the voice on the other end of the line and say, without hesitation or fear or anxiety that they loved one another. Both of them wanted that vocal embrace, that reassurance that despite a wretched day, things between them would be just fine.
Both of them stared at their telephones, paralyzed by the moment, and unable to act. They were certain things had changed forever.
The sun set, and dark rolled in, and soon, Marshall was illuminated only by an orange glow of parking lot lights streaming in through the half-open slats of his blinds. A desk fan oscillated and hummed. Dogs barked outside. Every now and then, he could hear a couple pass by on the sidewalk or a car drive past. He felt sick. Isolated. Alone. He replayed the day’s events in his head, over and over, and with each successive viewing, the error seemed more obvious. It seemed more egregious. A cool breeze blew in through the window and jostled the blinds. There was a mild din of plastic on drywall as the treatment slapped around. He didn’t know what to do now. He felt paralyzed. Abandoned.
Nothing good, he decided, came from expressing emotion. Nothing good came from telling someone how you really feel. All it does, he decided, is shatter finely built illusions. All it does is force reality to come charging through like rhino. When people ask you how you’re doing, they don’t really care. Nobody wants to hear about your fears or your worries or your hopes or your dreams. That’s what therapists are for. People want the artifice of intimacy without really knowing a thing about one another. That’s what she had wanted. And he wrecked that. He wrecked it and he didn’t know how, of even if, it could be rebuilt.
At some level, of course, Marshall knew she knew. She had to know. She wasn’t stupid. She wasn’t blind. She saw him fawn over her, gush over her, leap to her defense, beg for time. She saw all of that. She knew he was in love. But she was lucky enough to not really know. She could believe anything she wanted. She had nothing but circumstantial evidence… just an idea of it, no proof. Before he felt the need to upend his guts and tell her, breathlessly, just how in love he was, she could claim blissful and beautiful ignorance. Her reality was constructed in such a way that she and Marshall could be friends and nothing more, because Marshall never made the demand of anything else. She was fine pretending at closeness, and assumed that he was too. But inside, he was dying. Inside, he was clamoring to expel the truth.
As he sat on his bed in the dark, he wondered why he did it. He couldn’t adequately explain it. His stomach had been in knots around her. His brain hemispheres fused together in awe and lovestruck idiocy whenever the two of them were together. He cherished those moments, like rare stamps in some collection of time. Those moments stood out to him, and he wanted more. She was clear in her boundaries, but it didn’t stop his ridiculous heart or his ridiculous head from wanting, so badly, to cross into her borders. He kept it in check. He convinced himself, for a while, having her affection in any way was enough. But it wasn’t. It wasn’t close. It only whet his appetite. Every minute with her called out for duplication, for exponential growth. Every blush of something more only made the gulf between his hope and his reality that much more pronounced. He began to loathe the situation, the limits, the constraints and he hated himself for being cowed into action by his own asinine feelings.
He laid down then, on top of his blankets, in his clothes and tried to sleep, but he failed miserably in the attempt...
As night fell, Meredith was laying on her bed, struggling with a headache and pressing down on her eyes with her forearm draped across her face. She was sad and she was tired and she was angry that she wasn’t going to get to sleep tonight. She wished, somehow, she could go back and erase the last few hours, or that, at the very least, she could get a do-over. With her eyes shut so tightly, all she could see was the look of heartbreak on his face as he whispered “I love you,” and she responded with, “No you don’t.”
He did love her. She knew it. She didn’t want to know it and she certainly didn’t want to admit it, but it was doubtless. There was a polished sheen to the way he treated her… there was, in his words and his actions, a sort of barely contained admiration that both flattered and frustrated her. She knew. She could even pinpoint when his affection changed, when it grew it something unwieldy and larger than life. She saw the difference. He struggled with it, she could tell. And she wanted, badly, to somehow put him at ease. But she didn’t know what to say. The idea of it scared her to death. The idea that things could sour, that the status quo, a good status quo, might change made her sick to her stomach. So she ignored it and prayed that he would latch his attention on to somebody else. The idea of that made her queasy too. She liked things exactly how they were, but nothing stays the same for very long. Today she felt like she was watching a distant tornado, admiring it from her roof before realizing with dawning horror that it was headed straight for her. Now things had changed, and badly, and he was hurt and she was hurt and she didn’t know how to soothe any of it.
It wasn’t exactly that she wasn’t interested. She was. As much as she gagged at the idea of a soul mate, he was awfully close to that ideal, and she felt better with him than she did without. For Meredith, that was about as high of praise as any potential mate could get. But she squirmed, sometimes, at the idea of it as well. She would imagine the awkwardness of a first real date, a first real kiss… she would cringe at the thought of actual intimacy with someone she genuinely cared about because it just left so much room for things to go awry. She couldn’t bear the thought of losing him, so she kept up as many walls as possible and expunged any romantic notion of him from her head. Every now and then, her heart would twinge as she felt the flush of his kindness, of his compassion, of thoughtfulness she didn’t believe she’d ever be the recipient of. And she would crumble, a little, and try desperately not to let on.
Now, as the moon rose and she downed a cocktail of too many aspirin and too much Diet Coke, she was struck by just how off the rails it had all gone. She wished, then, that she could cry, because it seemed like other people in similar situations always felt better after a good cry. But she couldn’t do it. She didn’t even know what muscle to flex. She felt sad enough, certainly, but it just sat on her shoulders, heavy and damp, and she slumped back onto her bed and covered up her eyes again and pictured him, standing there, trembling with emotion and rejected wholesale by the girl he adored. If it had been anyone else she would have chastised their weakness, she would have mocked how much they cared. But she could feel it from it, waves of heat like the warmth of a campfire, and it was sincere and it was directed at her. She wanted, at that moment, to wrap her arms tightly around him and press her lips against his and tell him, madly, that she loved him too. She imagined it, and it seemed strained. It wasn’t her, and it wasn’t the response she could ever muster no matter how deeply she felt for him. It was too much, too theatrical… too showy. She did love him. If she was honest, she had to admit it, but she’d never love him in the same way he loved her. He’d never believe it because she’d never be able to show him. She convinced herself that, bad as this was, it was better in the long run.
But the long run seemed awfully far off on the horizon, and the here and now sucked. She hated knowing how badly he felt and she hated, even more, how badly she felt, herself. She tried, again, to picture the two of them, together, actually together, holding hands or sharing popcorn or driving late at night to faraway, star spackled beaches, content in a lovely silence and happy just to be with one another. And all of it fit. She didn’t retch, she didn’t recoil. The kissing, the sex, the gangly retro-teenage awkwardness of a burgeoning relationship was surmountable. It would, she was certain, be enjoyable at some point, even if it took some getting used to. So why did she balk at it? Why was her reaction so harsh and so cold and so damning? She knew why.
To let him in, to open that door and start something new would mean a drastic change. And Meredith saw all of the potential pitfalls... whatever he had to offer, she couldn't see the benefits being worth the trouble. She was angry at herself for admitting that, but she was, at her core, a brutally honest girl. She struggled with the loss and desperately searched reason to find a decent way out... but she couldn't think of anything to do or anything to say to assuage the situation.
She let out a soft painful moan and tried to sleep. She couldn't do it. Her brain wouldn't shut the hell up.
At around three in the morning, both Marshall and Meredith were bleary-eyed and wild with insomnia. Both of them thought fondly of the other, and then coldly, and then angrily and back to fondly again. Both of them felt bound by arbitrary rules, bound by some unwritten etiquette, bound by limitations and expectations they had set for themselves, and they were suffering because of it. Both of them felt hollow, out of sorts with the circumstances and lost in some sickening, confusing sea. Both of them wanted nothing more than to call the other, to hear the voice on the other end of the line and say, without hesitation or fear or anxiety that they loved one another. Both of them wanted that vocal embrace, that reassurance that despite a wretched day, things between them would be just fine.
Both of them stared at their telephones, paralyzed by the moment, and unable to act. They were certain things had changed forever.
7.29.2009
Creeping Dread
the creeping dread of
old thoughts made new, slink in like a slow crawl of grave-marching ants,
Heavy handed desire rips up the comforting down of a daylight slumber,
holds hostages
breathes like a rain of hot yellow sulfur
Scalds and writhes
partly cloudy, fits of backwards remainder, sort of drill into a skull full up with memory, or dream memory, the kind of memories built out of soot and ash and reconstituted,
rebuilt,
rekindled,
until fires start to dot the shoreline, and pitch
pitch black settles in over the coast.
There is a paleness to it all, a slippery message falling from a chorus of pink lips, of breathy voices gone lost in the silence...
terra
flint hits, spark goes up, and the dry glass shatter stains rise up like clouds of dragonfire steam, of lashes rescued by
harrowing religion and dire circumstances given up
and then
comes
the
slow
slow
drift.
old thoughts made new, slink in like a slow crawl of grave-marching ants,
Heavy handed desire rips up the comforting down of a daylight slumber,
holds hostages
breathes like a rain of hot yellow sulfur
Scalds and writhes
partly cloudy, fits of backwards remainder, sort of drill into a skull full up with memory, or dream memory, the kind of memories built out of soot and ash and reconstituted,
rebuilt,
rekindled,
until fires start to dot the shoreline, and pitch
pitch black settles in over the coast.
There is a paleness to it all, a slippery message falling from a chorus of pink lips, of breathy voices gone lost in the silence...
terra
flint hits, spark goes up, and the dry glass shatter stains rise up like clouds of dragonfire steam, of lashes rescued by
harrowing religion and dire circumstances given up
and then
comes
the
slow
slow
drift.
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